mythologyofblue:

David Carol, Sailboat, Mystic, Conneticut, 2009

mythologyofblue:

David Carol, Sailboat, Mystic, Conneticut, 2009

The day broke around me like a cool dream.
Sea; sand; a sky that melts into the sea—a landscape of misty pastels with a look about it of being continuously on the point of melting.
Angela Carter, from “The Bloody Chamber“  (via awritersruminations)
Wilhelm Freddie, Sensitive Portrait, 1940

Wilhelm Freddie, Sensitive Portrait, 1940

But now he turns to me with a rush of urgent syllables
that break off on a high note—he waits,

staring into my face. That quizzical look.
One eyebrow at an angle.
I have a photograph taped to my fridge at home.

It shows his World War II air crew posing in front of the plane.
Hands firmly behind backs, legs wide apart,
chins forward.

Dressed in the puffed flying suits
with a wide leather strap pulled tight through the crotch.
They squint into the brilliant winter sun of 1942.

It is dawn.
They are leaving Dover for France.
My father on the far left is the tallest airman,

with his collar up,
one eyebrow at an angle.
The shadowless light makes him look immortal,

for all the world like someone who will not weep again.
He is still staring into my face.
Flaps down! I cry.
His black grin flares once and goes out like a match.

Anne Carson - The Glass Essay  from Glass, Irony and God
Herlinde KoelblSterbezyklus – Tod und AbschiedFRAKTALE IV, Berlin 2005Foto: Isaac Bigsby Trogdon

Herlinde Koelbl
Sterbezyklus – Tod und Abschied
FRAKTALE IV, Berlin 2005
Foto: Isaac Bigsby Trogdon

’ All that is possessed of life in this world has a voice of its own. The voice is a sign of life. It may grow in strength, break off, be lost, sink to a barely audible whisper. In the chorus of our lives the individual voice is not easily distinguished, but where, suddenly it falls silent, there comes an awareness of the finitude of any sound, of any life…’
Andrey Kurkov - Death and the Penguin
Kitty Sabatier

Kitty Sabatier

In time, he seems less
moved than a part
of that which once moved him,
fleeting, uncontained,
his presence seen only
in what he’s touched:
leaves scattered
and lost, bodies of dust
swirling. He longs
to find some calm within
what he’s become, inside
the sound, a roaming
stillness. It seems
so close, as if he might,
even now, blink and be
there, restored, prepared,
whispering all he remembers.
from “Elsewhere” - Christian Wiman
Hans Canon (Johann von Straširipka, 1829 Wien–1885 Wien), Studienkopf eines bärtigen Mannes, um 1873 (?), Öl auf Leinwand, 40 x 33 cm

Hans Canon (Johann von Straširipka, 1829 Wien–1885 Wien), Studienkopf eines bärtigen Mannes, um 1873 (?), Öl auf Leinwand, 40 x 33 cm

From my father I inherited the ability
to stand in a field and stare.
Naomi Shihab Nye, from “Genetics” (via proustitute)
basava:

Jesus’ body is removed from the cross XIII, 1998 by Adolf Lachman

basava:

Jesus’ body is removed from the cross XIII, 1998 by Adolf Lachman

(Quelle: hifas)

Because the outer walls of God are glass.
I see a million souls clambering up the walls on the inside
to escape God who’s burning,


untended

Anne Carson - The God Fit from Glass, Irony and God
Gerhard Richter

Gerhard Richter

Bluish dusk

fills the room like a sea slid back.

Anne Carson - The Glass Essay from Glass, Irony and God
Miwa Yanagi  - Shizuka (aus der Serie My Grandmothers), 2004, C-print auf Diasec, 140 x 100 cm)
Teutloff Photo + Video Collection, Bielefeld

Miwa Yanagi - Shizuka (aus der Serie My Grandmothers), 2004, C-print auf Diasec, 140 x 100 cm)

Teutloff Photo + Video Collection, Bielefeld